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Donald Lococo ArchitectsDesigned in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right.
To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub.
Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.
SPACELINEDESIGN ARCHITECTSCurvaceous geometry shapes this super insulated modern earth-contact home-office set within the desert xeriscape landscape on the outskirts of Phoenix Arizona, USA.
This detached Desert Office or Guest House is actually set below the xeriscape desert garden by 30", creating eye level garden views when seated at your desk. Hidden below, completely underground and naturally cooled by the masonry walls in full earth contact, sits a six car garage and storage space.
There is a spiral stair connecting the two levels creating the sensation of climbing up and out through the landscaping as you rise up the spiral, passing by the curved glass windows set right at ground level.
This property falls withing the City Of Scottsdale Natural Area Open Space (NAOS) area so special attention was required for this sensitive desert land project.
Jeff Barrett StudioWestern Red Cedar - Horizontal Siding
Stucco - White Smooth
Stone Clad - Stacked Carmel Stone
Corten Steel - Window Frames, Fascia, Entry Gate
Aluminum Windows - Black Push-Out Casement
Brooks + Scarpa ArchitectsThe Yin-Yang House is a net-zero energy single-family home in a quiet Venice, CA neighborhood. The design objective was to create a space for a large and growing family with several children, which would create a calm, relaxed and organized environment that emphasizes public family space. The home also serves as a place to entertain, and a welcoming space for teenagers as they seek social space with friends.
The home is organized around a series of courtyards and other outdoor spaces that integrate with the interior of the house. Facing the street the house appears to be solid. However, behind the steel entry door is a courtyard, which reveals the indoor-outdoor nature of the house behind the solid exterior. From the entry courtyard, the entire space to the rear garden wall can be seen; the first clue of the home’s spatial connection between inside and out. These spaces are designed for entertainment, and the 40 foot sliding glass door to the living room enhances the harmonic relationship of the main room, allowing the owners to host many guests without the feeling of being overburdened.
The tensions of the house’s exterior are subtly underscored by a 12-inch steel band that hews close to, but sometimes rises above or falls below the floor line of the second floor – a continuous loop moving inside and out like a pen that is never lifted from the page, but reinforces the intent to spatially weave together the indoors with the outside as a single space.
Scale manipulation also plays a formal role in the design of the structure. From the rear, the house appears to be a single-story volume. The large master bedroom window and the outdoor steps are scaled to support this illusion. It is only when the steps are animated with people that one realizes the true scale of the house is two stories.
The kitchen is the heart of the house, with an open working area that allows the owner, an accomplished chef, to converse with friends while cooking. Bedrooms are intentionally designed to be very small and simple; allowing for larger public spaces, emphasizing the family over individual domains. The breakfast room looks across an outdoor courtyard to the guest room/kids playroom, establishing a visual connection while defining the separation of uses. The children can play outdoors while under adult supervision from the dining area or the office, or do homework in the office while adults occupy the adjacent outdoor or indoor space.
Many of the materials used, including the bamboo interior, composite stone and tile countertops and bathroom finishes are recycled, and reinforce the environmental DNA of the house, which also has a green roof. Blown-in cellulose insulation, radiant heating and a host of other sustainable features aids in the performance of the building’s heating and cooling.
The active systems in the home include a 12 KW solar photovoltaic panel system, the largest such residential system available on the market. The solar panels also provide shade from the sun, preventing the house from becoming overheated. The owners have been in the home for over nine months and have yet to receive a power bill.
Yvelines traditionVilla zen de chez Yvelines Tradition, toit terrasse de 240 m² avec parement pierre en façade
Coates Design Architecture + InteriorsCoates Design Architects Seattle
Lara Swimmer Photography
Fairbank Construction
exitprojectesDebido a las reducidas dimensiones de la parcela, la idea de la propuesta y principal inquietud de los clientes era el máximo aprovechamiento posible del espacio exterior. Por ello, se plantea una planta baja totalmente abierta al exterior, permeable también al espacio exterior posterior, que en seguida nos sugiere que toda la superficie de parcela se convierte en un gran jardín, fusionándose todos los espacios (jardín principal | vivienda | jardín entrada posterior).
El resto de plantas descansan sobre este gran jardín transparente consiguiendo la sensación de que estas plantas se suspenden y gravitan sobre el espacio exterior. Esto se consigue con unas grandes cristaleras en planta baja que una vez abiertas nos hacen que el espacio fluya y conseguir una máxima relación/ambigüedad de interior – exterior.
La planta baja y planta primera funcionan como grandes miradores enfocados a las vistas de la ciudad de Barcelona.
Arielle C. Schechter, AIAThe exterior of the Wolf-Huang residence is horizontal and linear so that most of the rooms can have a view of the water. The low slung lines of the house echo the horizontality of the lake.
CCASA ArchitectsThe new extension included a big rooflight almost taking the whole space of the roof. A Wildflower roof edge was included to soften the impact of the new extension and allow for views form the formal dining room at first floor.
Premium House Exterior with a Green Roof Ideas and Designs
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