Kitchen with Black Appliances and All Types of Ceiling Ideas and Designs
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Craighead & Woolf - Kitchen Interior DesignClean lined contemporary black and marble family kitchen designed to integrate perfectly into this Victorian room. Part of a larger renovation project by David Blaikie architects that included a small extension. The velvet touch nano technology HPL laminate doors help to make this both stylish and family friendly. Hand crafted table by Black Box furniture.
Sky Architect Studiowe created a practical, L-shaped kitchen layout with an island bench integrated into the “golden triangle” that reduces steps between sink, stovetop and refrigerator for efficient use of space and ergonomics.
Instead of a splashback, windows are slotted in between the kitchen benchtop and overhead cupboards to allow natural light to enter the generous kitchen space. Overhead cupboards have been stretched to ceiling height to maximise storage space.
Timber screening was installed on the kitchen ceiling and wrapped down to form a bookshelf in the living area, then linked to the timber flooring. This creates a continuous flow and draws attention from the living area to establish an ambience of natural warmth, creating a minimalist and elegant kitchen.
The island benchtop is covered with extra large format porcelain tiles in a 'Calacatta' profile which are have the look of marble but are scratch and stain resistant. The 'crisp white' finish applied on the overhead cupboards blends well into the 'natural oak' look over the lower cupboards to balance the neutral timber floor colour.
Brad Cox, Architect, Inc.A vintage range is one of the beautiful focal points in the kitchen and the black island is a lovely complement. A clear glass door provides access to the yard.
Davonport Kitchen & HomeDavonport Holkham shaker-style cabinetry with exposed butt hinges was chosen for a classic look and its smaller proportions in this Victorian country kitchen. Hand painted in a beautiful light stone (Slate 11 – from Paint & Paper Library) and heritage green (Farrow & Ball’s studio green), the colour scheme provides the perfect canvas for the antique-effect brushed brass accessories. A traditional style white porcelain butler sink with brass taps is positioned in front of the large sash window, providing a stylish focal point when you enter the room. Then at the heart of the kitchen is a freestanding-style island (topped with the same white quartz worktop as the rest of the room). Designed with plenty of storage in the way of cupboards and drawers (as well as breakfast bar seating for 2), it acts as a prep table that is positioned in easy reach of the professional quality Miele induction hob and ovens. These elements help nod to the heritage of the classic country kitchen that would have originally been found in the property.
Out of the main cooking zone, but in close proximity to seating on the island, a breakfast cupboard/drinks cabinet houses all of Mr Edward’s coffee gadgets at worktop level. Above, several shelves finished with opulent mirrored glass and back-lit lights showcase the couples’ selection of fine cut glassware. This creates a real wow feature in the evening and can be seen from the couples’ large round walnut dining table which is positioned with views of the English-country garden. The overall style of the kitchen is classic, with a very welcoming and homely feel. It incorporates pieces of charming antique furniture with the clean lines of the hand painted Davonport cabinets marrying the old and the new.
Martin Lautenschlager Küchen & InnenausbauDie Kunst bei der Gestaltung dieser Küche war die Trapezform bei der Gestaltung der neuen Küche mit großem Sitzplatz Sinnvoll zu nutzen. Alle Unterschränke wurden in weißem Mattlack ausgeführt und die lange Zeile beginnt links mit einer Tiefe von 70cm und endet rechts mit 40cm. Die Kochinsel hat ebenfalls eine Trapezform. Oberschränke und Hochschränke wurden in Altholz ausgeführt.
Simon Taylor FurnitureOur clients were seeking a classic and stylish Shaker kitchen with a contemporary edge, to complement the architecture of their five-year-old house, which features a modern beamed ceiling and herringbone flooring. They also wanted a kitchen island to include banquette seating surrounding one end of a large industrial-style dining table with an Ash wooden table top that our clients already owned. We designed the main run of in frame cabinetry with a classic cornice to completely fit within the recessed space along the back wall behind the island, which is hand-painted in Stewkey Blue by Farrow & Ball. This includes a central inglenook and an overmantel that conceals a Siemens canopy extractor hood above a white Everhot range cooker. Overhead cabinets and undercounter storage cupboards were included within the design, together with oak dovetailed deep drawer storage boxes. A Samsung American-style fridge freezer was also integrated within the run. A 30mm thick quartz worktop in Tuscany colourway extends on either side of the range cooker and this is repeated on the kitchen island as well, with an overhang on both sides of the u-shaped design to accommodate bar stools beneath. In the centre of the island, we created u-shaped banquette seating upholstered in grey velvet to surround one end of the large rectangular dining table. To store their collection of fine wines, we specified two undercounter wine conditioners by Miele to fit within each end of the island to store reds, whites and Champagnes. Along the length of the island, facing the Everhot is a large ceramic double-bowl Belfast sink by Shaws of Darwen and a Quooker Cube tap, providing hot, cold, boiling and sparkling water. On the task side of the island, two 60cm dishwashers by Miele are integrated at either end of the cabinetry together with storage for pull-out bins and utility items.
On a further run to the left of the island, we designed and made a large Shaker two-door pantry larder, hand-painted in All White by Farrow & Ball and featuring deep dovetail drawer boxes beneath. Extending on either side of the pantry is natural oak contemporary open shelving to mix with the traditional design of the kitchen. A further freestanding cabinet with a natural solid oak top was handmade to sit beneath the client’s wall-mounted television. Cup handles and knobs are all brushed brass by Crofts and Assinder, with matching brass butt hinges.
The Myers TouchKeith met this couple from Hastings at Grand Designs who stumbled upon his talk on Creating Kitchens with Light Space & Laughter.
A contemporary look was their wish for the new kitchen extension and had been disappointed with previous kitchen plan/designs suggested by other home & kitchen retailers.
We made a few minor alterations to the architecture of their new extension by moving the position of the utility room door, stopped the kitchen island becoming a corridor and included a secret bookcase area which they love. We also created a link window into the lounge area that opened up the space and allowed the outdoor area to flow into the room with the use of reflected glass. The window was positioned opposite the kitchen island with cushioned seating to admire their newly landscaped garden and created a build-down above.
The design comprises SieMatic Pure S2 collection in Sterling Grey, Miele appliances with 12mm Dekton worktops and 30mm Spekva Breakfast Bar on one corner of the Island for casual dining or perching.
Amos Goldreich ArchitectureAmos Goldreich Architecture has completed an asymmetric brick extension that celebrates light and modern life for a young family in North London. The new layout gives the family distinct kitchen, dining and relaxation zones, and views to the large rear garden from numerous angles within the home.
The owners wanted to update the property in a way that would maximise the available space and reconnect different areas while leaving them clearly defined. Rather than building the common, open box extension, Amos Goldreich Architecture created distinctly separate yet connected spaces both externally and internally using an asymmetric form united by pale white bricks.
Previously the rear plan of the house was divided into a kitchen, dining room and conservatory. The kitchen and dining room were very dark; the kitchen was incredibly narrow and the late 90’s UPVC conservatory was thermally inefficient. Bringing in natural light and creating views into the garden where the clients’ children often spend time playing were both important elements of the brief. Amos Goldreich Architecture designed a large X by X metre box window in the centre of the sitting room that offers views from both the sitting area and dining table, meaning the clients can keep an eye on the children while working or relaxing.
Amos Goldreich Architecture enlivened and lightened the home by working with materials that encourage the diffusion of light throughout the spaces. Exposed timber rafters create a clever shelving screen, functioning both as open storage and a permeable room divider to maintain the connection between the sitting area and kitchen. A deep blue kitchen with plywood handle detailing creates balance and contrast against the light tones of the pale timber and white walls.
The new extension is clad in white bricks which help to bounce light around the new interiors, emphasise the freshness and newness, and create a clear, distinct separation from the existing part of the late Victorian semi-detached London home. Brick continues to make an impact in the patio area where Amos Goldreich Architecture chose to use Stone Grey brick pavers for their muted tones and durability. A sedum roof spans the entire extension giving a beautiful view from the first floor bedrooms. The sedum roof also acts to encourage biodiversity and collect rainwater.
Continues
Amos Goldreich, Director of Amos Goldreich Architecture says:
“The Framework House was a fantastic project to work on with our clients. We thought carefully about the space planning to ensure we met the brief for distinct zones, while also keeping a connection to the outdoors and others in the space.
“The materials of the project also had to marry with the new plan. We chose to keep the interiors fresh, calm, and clean so our clients could adapt their future interior design choices easily without the need to renovate the space again.”
Clients, Tom and Jennifer Allen say:
“I couldn’t have envisioned having a space like this. It has completely changed the way we live as a family for the better. We are more connected, yet also have our own spaces to work, eat, play, learn and relax.”
“The extension has had an impact on the entire house. When our son looks out of his window on the first floor, he sees a beautiful planted roof that merges with the garden.”
NOTO ArchitectsThe project was a close collaboration with the client, who came to us with a clear, simple brief- to maximise the height of the glazing on the rear facade, to give the illusion of a minimal roof construction.
COLOR LABEL DESIGN OFFICE / 殿村明彦郊外にある新しい分譲地に建つ家。
分譲地内でのプライバシー確保のためファサードには開口部があまりなく、
どのあたりに何の部屋があるか想像できないようにしています。
外壁には経年変化を楽しめるレッドシダーを採用。
年月でシルバーグレーに変化してくれます。
リビングには3.8ｍの長さのソファを作り付けで設置。
ソファマットを外すと下部は収納になっており、ブランケットや子供のおもちゃ収納に。
そのソファの天井はあえて低くすることによりソファに座った時の落ち着きが出るようにしています。
天井材料は、通常下地材として使用するラワンべニアを使用。
前々からラワンの木目がデザインの一部になると考えていました。
玄関の壁はフレキシブルボード。これも通常化粧には使わない材料です。
下地材や仕上げ材など用途にこだわることなく、素材のいろいろな可能性デザインのポイントとしました。
Kettle Co. KitchensThis Cornish county home required a bespoke designed kitchen to maximise storage yet create a warm, fresh and open feel to the room.
Architetto Matteo Dall'AstaCucina a T con piano in gres, ante laccate per le basi mentre vetro retro laccato per i pensili.
Kitchen with Black Appliances and All Types of Ceiling Ideas and Designs
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