Kitchen with a Built-in Sink and an Island Ideas and Designs
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PRF Studio di Gianluca PezzoliTornando in cucina: il piano è in agglomerato di quarzo dello stesso colore/tonalità delle ante in melaminico, anche il frigorifero ha la stessa tonalità del resto, perché?
volevamo dare importanza al pavimento/schienale cucina in Ardesia ed al piano tavolo/soffitto con travi in legno tinto.
By Darash - Kitchen Cabinets, Vanities & ClosetsModern Luxury Black, White, and Wood Kitchen By Darash design in Hartford Road - Austin, Texas home renovation project - featuring Dark and, Warm hues coming from the beautiful wood in this kitchen find balance with sleek no-handle flat panel matte Black kitchen cabinets, White Marble countertop for contrast. Glossy and Highly Reflective glass cabinets perfect storage to display your pretty dish collection in the kitchen. With stainless steel kitchen panel wall stacked oven and a stainless steel 6-burner stovetop. This open concept kitchen design Black, White and Wood color scheme flows from the kitchen island with wooden bar stools to all through out the living room lit up by the perfectly placed windows and sliding doors overlooking the nature in the perimeter of this Modern house, and the center of the great room --the dining area where the beautiful modern contemporary chandelier is placed in a lovely manner.
cfarquitecteCasa prefabricada de madera con revestimiento de paneles de derivados de madera. Accesos de metaquilato translucido.
Anne Chemineau - Decor InterieurLa cuisine ouverte sur le séjour est aménagée avec un ilôt central qui intègre des rangements d’un côté et de l’autre une banquette sur mesure, élément central et design de la pièce à vivre. pièce à vivre. Les éléments hauts sont regroupés sur le côté alors que le mur faisant face à l'îlot privilégie l'épure et le naturel avec ses zelliges et une étagère murale en bois.
Marquis Fine CabinetryProject Number: M1197
Design/Manufacturer/Installer: Marquis Fine Cabinetry
Collection: Milano
Finish: Rockefeller
Features: Tandem Metal Drawer Box (Standard), Adjustable Legs/Soft Close (Standard), Stainless Steel Toe-Kick
Cabinet/Drawer Extra Options: Touch Latch, Custom Appliance Panels, Floating Shelves, Tip-Ups
TRG Architecture + Interior DesignAs with all communal spaces in the house, indoor/outdoor living. Note the 15’ accordion window opening to the outdoor eating/living area. Functionality was a top priority, but the space had to be beautiful as well. The top-stitched leather pulls help soften the look and make it feel more comfortable. We designed every cabinet for specified storage. [For example: The area to the right of the refrigerator with the open shelving: we designed this as “breakfast-central.” This is where the toaster oven, toaster, and Vitamix usually live and can be neatly hidden by the pull-down aluminum tambour doors when not in use. All the items needed for breakfast to get everyone out the door efficiently are located in the refrigerator on the left and cabinet drawers below.]
COOPER Design BuildThis traditional kitchen's highlights entail recessed panel cabinets, decorative tile backsplashes, and stainless steel appliances.
Daria NazarenkoМиниатюрная квартира-студия площадью 28 метров в Москве с гардеробной комнатой, просторной кухней-гостиной и душевой комнатой с естественным освещением.
Melton Design BuildThis home remodel was an incredible transformation that turned a traditional Boulder home into an open concept, refined space perfect for hosting. The Melton design team aimed at keeping the space fresh, which included industrial design elements to keep the space feeling modern. Our favorite aspect of this home transformation is the openness from room to room. The open concept allows plenty of opportunities for this lively family to host often and comfortably.
Simon Taylor FurnitureSimon Taylor Furniture was commissioned to design a contemporary kitchen and dining space in a Grade II listed Georgian property in Berkshire. Formerly a stately home dating back to 1800, the property had been previously converted into luxury apartments. The owners, a couple with three children, live in the ground floor flat, which has retained its original features throughout.
When the property was originally converted, the ground floor drawing room salon had been reconfigured to become the kitchen and the owners wanted to use the same enclosed space, but to bring the look of the room completely up to date as a new contemporary kitchen diner. In direct contrast to the ornate cornicing in the original ceiling, the owners also wanted the new space to have a state of the art industrial style, reminiscent of a professional restaurant kitchen.
The challenge for Simon Taylor Furniture was to create a truly sleek kitchen design whilst softening the look of the overall space to both complement the older aspects of the room and to be a comfortable family dining area. For this, they combined three essential materials: brushed stainless steel and glass with stained ask for the accents and also the main dining area.
Simon Taylor Furniture designed and manufactured all the tall kitchen cabinetry that houses dry goods and integrated cooling models including an wine climate cabinet, all with brushed stainless steel fronts and handles with either steel or glass-fronted top boxes. To keep the perfect perspective with the four metre high ceiling, these were designed as three metre structures and are all top lit with LED lighting. Overhead cabinets are also brushed steel with glass fronts and all feature LED strip lighting within the interiors. LED spotlighting is used at the base of the overhead cupboards above both the sink and cooking runs. Base units all feature steel fronted doors and drawers, and all have stainless steel handles as well.
Between two original floor to ceiling windows to the left of the room is a specially built tall steel double door dresser cabinet with pocket doors at the central section that fold back into recesses to reveal a fully stocked bar and a concealed flatscreen TV. At the centre of the room is a long steel island with a Topus Concrete worktop by Caesarstone; a work surface with a double pencil edge that is featured throughout the kitchen. The island is attached to L-shaped bench seating with pilasters in stained ash for the dining area to complement a bespoke freestanding stained ash dining table, also designed and made by Simon Taylor Furniture.
Along the industrial style cooking run, surrounded by stained ash undercounter base cabinets are a range of cooking appliances by Gaggenau. These include a 40cm domino gas hob and a further 40cm domino gas wok which surround a 60cm induction hob with a downdraft extractors. To the left of the surface cooking area is a tall bank of two 76cm Vario ovens in stainless steel and glass. An additional integrated microwave with matching glass-fronted warming drawer by Miele is installed under counter within the island run.
Facing the door from the hallway and positioned centrally between the tall steel cabinets is the sink run featuring a stainless steel undermount sink by 1810 Company and a tap by Grohe with an integrated dishwasher by Miele in the units beneath. Directly above is an antique mirror splashback beneath to reflect the natural light in the room, and above that is a stained ash overhead cupboard to accommodate all glasses and stemware. This features four stained glass panels designed by Simon Taylor Furniture, which are inspired by the works of Louis Comfort Tiffany from the Art Nouveau period. The owners wanted the stunning panels to be a feature of the room when they are backlit at night.
Kitchen Connection of Ascot (KCA)A modern kitchen with a rustic/industrial feel, designed and installed by KCA. The project was a collaboration with Hamilford Design for a private residence in Gloucestershire.
Albert, Righter & Tittmann Architects, Inc.Our client, with whom we had worked on a number of projects over the years, enlisted our help in transforming her family’s beloved but deteriorating rustic summer retreat, built by her grandparents in the mid-1920’s, into a house that would be livable year-‘round. It had served the family well but needed to be renewed for the decades to come without losing the flavor and patina they were attached to.
The house was designed by Ruth Adams, a rare female architect of the day, who also designed in a similar vein a nearby summer colony of Vassar faculty and alumnae.
To make Treetop habitable throughout the year, the whole house had to be gutted and insulated. The raw homosote interior wall finishes were replaced with plaster, but all the wood trim was retained and reused, as were all old doors and hardware. The old single-glazed casement windows were restored, and removable storm panels fitted into the existing in-swinging screen frames. New windows were made to match the old ones where new windows were added. This approach was inherently sustainable, making the house energy-efficient while preserving most of the original fabric.
Changes to the original design were as seamless as possible, compatible with and enhancing the old character. Some plan modifications were made, and some windows moved around. The existing cave-like recessed entry porch was enclosed as a new book-lined entry hall and a new entry porch added, using posts made from an oak tree on the site.
The kitchen and bathrooms are entirely new but in the spirit of the place. All the bookshelves are new.
A thoroughly ramshackle garage couldn’t be saved, and we replaced it with a new one built in a compatible style, with a studio above for our client, who is a writer.
The Brooklyn StudioThis residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine.
Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home.
The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living.
This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut.
Photography by Kevin Kunstadt
JAB Design LtdThe project brief was to modernise, renovate and extend an existing property in Walsall, UK. Maintaining a classic but modern style, the property was extended and finished with a light grey render and grey stone slip cladding. Large windows, lantern-style skylights and roof skylights allow plenty of light into the open-plan spaces and rooms.
The full-height stone clad gable to the rear houses the main staircase, receiving plenty of daylight
Kitchen with a Built-in Sink and an Island Ideas and Designs
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