Grey Hallway with Grey Floors Ideas and Designs
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Architetto Marco FinardiRistrutturazione completa appartamento da 120mq con carta da parati e camino effetto corten
Pauls FloorsAll images courtesy of Axminster Carpets. The Hazy Days Collection - a collection of 30 traditionally woven 100% pure new wool carpets in soft greys and pinks.
Ollin StoneWe like to think of marble agglomerate as a modern Venetian terrazzo that, thanks to its great style and performance, is the perfect solution for an endless array of projects, from the retail outlets of major fashion houses to prestigious business offices around the world, as well as for the exterior cladding for entire buildings. Constant investment in technology throughout the production process ensures certified high standards of quality, and our high level of production capacity.
TailorCraft Builders, Inc.Transition room off of bedroom outfitted with new storage doors, new paint and trim.
Hsu McCulloughA 60-foot long central passage carves a path from the aforementioned Great Room and Foyer to the private Bedroom Suites: This hallway is capped by an enclosed shower garden - accessed from the Master Bath - open to the sky above and the south lawn beyond. In lieu of using recessed lights or wall sconces, the architect’s dreamt of a clever architectural detail that offers diffused daylighting / moonlighting of the home’s main corridor. The detail was formed by pealing the low-pitched gabled roof back at the high ridge line, opening the 60-foot long hallway to the sky via a series of seven obscured Solatube skylight systems and a sharp-angled drywall trim edge: Inspired by a James Turrell art installation, this detail directs the natural light (as well as light from an obscured continuous LED strip when desired) to the East corridor wall via the 6-inch wide by 60-foot long cove shaping the glow uninterrupted: An elegant distillation of Hsu McCullough's painting of interior spaces with various qualities of light - direct and diffused.
Liebke ProjectsModern Heritage House
Queenscliff, Sydney. Garigal Country
Architect: RAMA Architects
Build: Liebke Projects
Photo: Simon Whitbread
This project was an alterations and additions to an existing Art Deco Heritage House on Sydney's Northern Beaches. Our aim was to celebrate the honest red brick vernacular of this 5 bedroom home but boldly modernise and open the inside using void spaces, large windows and heavy structural elements to allow an open and flowing living area to the rear. The goal was to create a sense of harmony with the existing heritage elements and the modern interior, whilst also highlighting the distinction of the new from the old. So while we embraced the brick facade in its material and scale, we sought to differentiate the new through the use of colour, scale and form.
(RAMA Architects)
Kambium raum erlebenDer Eingangsbereich Deines Zuhauses ist das erste was Dich beim Hereinkommen erwartet. Dein Flur soll Dich Willkommen heißen und Dir direkt das Gefühl von "Zuhause angekommen" auslösen.
Die Kombination von Eiche und Weiß wirkt sowohl modern als auch freundlich und frisch.
Durch den maßgefertigten Einbauschrank bis unter die Decke des Dachgeschosses hat alles seinen Platz und die Stauraum-Problematik gehört der Vergangenheit an.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Grey Hallway with Grey Floors Ideas and Designs
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