Cloakroom with Black and White Tiles and a Pedestal Sink Ideas and Designs
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Trish Herson InteriorsLarge powder room sitting area becomes bedroom when guests arrive, via remote control, bed zooms out of wall
KrimsonHAUSWe created a stunning visual impact by incorporating a black and white tile feature wall behind her existing pedestal sink, perfectly complemented by gilded nickel sconces.
DFS Construction Inc.Black and white three dimensional marble orchid tile sets the stage for this over the top powder room. The marble pedestal sink with brass exposed plumbing is accented by glass ceiling pendants creating jaw dropping drama.
Gail Green InteriorsThis black and white bath interweaves a tapestry of contraries. Black and white tile suggestive of sonorous waves of water crate an apt backdrop for the white square sink and white water closet. The decorative mirrors, somewhat surrealistic, are a metaphoric play on geometry with small round magnifying mirrors orbiting the larger oval.
TALBAU-HausDie T-Lösung in der Gäste-Toilette sorgt für Ordnung. An der Stirnseite steht das Waschbecken, links die Toilette und rechts verbirgt sich die offene Regendusche.
Gail Green InteriorsA 1920's Modernist black and white bath enlivens this upper east side apartment. The stark white tiles on all the walls except for the back wall and floor create a strong and dramatic contrast to the black and white marble zig-zag tiles. An oval mirror and satelllite make-up side element add to the fun.
Gail Green InteriorsThis black and white compact powder room is inspired by Keith Haring. Using ceramic tile with his designs makes for an "artful loo." The red accents highlight the whimsical aspects.
Gail Green InteriorsDirect inspiration for my Powder Room derives from Ascot’s Keith Haring ceramic tile collection, “Game of Fifteen.” Upon seeing the series, I knew that, in order to make a significant impact, the bathroom would have to be small in size, as the tile itself was high impact. Thus, we needed to keep the theme sharp and chic, graphic and poignant. The room had to maintain a proportional balance between the recessive background of the white tiles and the strength of the accent tile’s imagery. Thus equal elements of visual proportion and harmony was essential to a successfully designed room. In terms of color, the boldness of the tiles black and white pattern with its overall whimsical pattern made the selection a perfect fit for a playful and innovative room.
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I liked the way the different shapes blend into each other, hardly indistinguishable from one another, yet decipherable. His shapes are visual mazes, archetypal ideograms of a sort. At a distance, they form a pattern; up close, they form a story. Many of the themes are about people and their connections to each other. Some are visually explicit; others are more reflective and discreet. Most are just fun and whimsical, appealing to children and to the uninhibited in us. They are also primitive in their bold lines and graphic imagery. Many shapes are of monsters and scary beings, relaying the innate fears of childhood and the exterior landscape of the reality of city life. In effect, they are graffiti like patterns, yet indelibly marked in our subconscious. In addition, the basic black, white, and red colors so essential to Haring’s work express the boldness and basic instincts of color and form.
In addition, my passion for both design and art found their aesthetic confluence in the expression of this whimsical statement of idea and function.
Gail Green InteriorsEqual elements of visual proportion and harmony was essential to a successfully designed room. In terms of color, the boldness of the tiles black and white pattern with its overall whimsical pattern made the selection a perfect fit for a playful and innovative room.
.
I liked the way the different shapes blend into each other, hardly indistinguishable from one another, yet decipherable. His shapes are visual mazes, archetypal ideograms of a sort. At a distance, they form a pattern; up close, they form a story. Many of the themes are about people and their connections to each other. Some are visually explicit; others are more reflective and discreet. Most are just fun and whimsical, appealing to children and to the uninhibited in us. They are also primitive in their bold lines and graphic imagery. Many shapes are of monsters and scary beings, relaying the innate fears of childhood and the exterior landscape of the reality of city life. In effect, they are graffiti like patterns, yet indelibly marked in our subconscious. In addition, the basic black, white, and red colors so essential to Haring’s work express the boldness and basic instincts of color and form.
In addition, my passion for both design and art found their aesthetic confluence in the expression of this whimsical statement of idea and function.
Gail Green InteriorsThis black and white bath interweaves a tapestry of contraries. Black and white tile suggestive of sonorous waves of water crate an apt backdrop for the white square sink and white water closet. The decorative mirrors, somewhat surrealistic, are a metaphoric play on geometry with small round magnifying mirrors orbiting the larger oval.
Cloakroom with Black and White Tiles and a Pedestal Sink Ideas and Designs
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