Black Dining Room with Red Walls Ideas and Designs
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Albert, Righter & Tittmann Architects, Inc.
Overlooking the river down a sweep of lawn and pasture, this is a big house that looks like a collection of small houses.
The approach is orchestrated so that the view of the river is hidden from the driveway. You arrive in a courtyard defined on two sides by the pavilions of the house, which are arranged in an L-shape, and on a third side by the barn
The living room and family room pavilions are clad in painted flush boards, with bold details in the spirit of the Greek Revival houses which abound in New England. The attached garage and free-standing barn are interpretations of the New England barn vernacular. The connecting wings between the pavilions are shingled, and distinct in materials and flavor from the pavilions themselves.
All the rooms are oriented towards the river. A combined kitchen/family room occupies the ground floor of the corner pavilion. The eating area is like a pavilion within a pavilion, an elliptical space half in and half out of the house. The ceiling is like a shallow tented canopy that reinforces the specialness of this space.
Photography by Robert Benson
Johnson Berman
This Mid-Century Modern residence was infused with rich paint colors and accent lighting to enhance the owner’s modern American furniture and art collections. Large expanses of glass were added to provide views to the new garden entry. All Photographs: Erik Kvalsvik
Greenwood Bay
This stunning Elm slab was located in a boutique mill in New England and selected for the table that was made for a Victorian home. A series of “butterfly keys” were used to stabilize the large cracks along the naturally occurring checks and cracks, in a nod to George Nakashima. The base is a Walnut slab with a partial raw edge.
Vetter Architects
A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space.
Crispin Sartwell
Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home.
As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction.
The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside.
The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting.
Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for.
Overview
Oconomowoc, WI
Completion Date
August 2015
Services
Architecture, Interior Design, Landscape Architecture
Stanton Studios
Stained Glass & Forged Steel Light Sculpture. Repurposed Hay Trolley. Design, fabrication and photo by Stanton Studios.
Black Dining Room with Red Walls Ideas and Designs
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