Bathroom with Terrazzo Flooring and Brown Worktops Ideas and Designs

Esplanade Home, retro pink bathroom
Esplanade Home, retro pink bathroom
Anatoly Patrick ArchitectureAnatoly Patrick Architecture
A bathroom renovation that optimised layout and updated the decor to a contemporary yet retro feel, that harmonises with this mid-century beachfront home.
Esplanade Home, retro pink bathroom
Esplanade Home, retro pink bathroom
Anatoly Patrick ArchitectureAnatoly Patrick Architecture
A bathroom renovation: 1. Optimised layout 2. Updated the decor and storage to a contemporary yet retro feel, that harmonises with this mid-century beachfront home.
Twin Peaks House
Twin Peaks House
Mihaly SlocombeMihaly Slocombe
Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.
Twin Peaks House
Twin Peaks House
Mihaly SlocombeMihaly Slocombe
Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.
Hood House
Hood House
Mihaly SlocombeMihaly Slocombe
Hood House is a playful protector that respects the heritage character of Carlton North whilst celebrating purposeful change. It is a luxurious yet compact and hyper-functional home defined by an exploration of contrast: it is ornamental and restrained, subdued and lively, stately and casual, compartmental and open. For us, it is also a project with an unusual history. This dual-natured renovation evolved through the ownership of two separate clients. Originally intended to accommodate the needs of a young family of four, we shifted gears at the eleventh hour and adapted a thoroughly resolved design solution to the needs of only two. From a young, nuclear family to a blended adult one, our design solution was put to a test of flexibility. The result is a subtle renovation almost invisible from the street yet dramatic in its expressive qualities. An oblique view from the northwest reveals the playful zigzag of the new roof, the rippling metal hood. This is a form-making exercise that connects old to new as well as establishing spatial drama in what might otherwise have been utilitarian rooms upstairs. A simple palette of Australian hardwood timbers and white surfaces are complimented by tactile splashes of brass and rich moments of colour that reveal themselves from behind closed doors. Our internal joke is that Hood House is like Lazarus, risen from the ashes. We’re grateful that almost six years of hard work have culminated in this beautiful, protective and playful house, and so pleased that Glenda and Alistair get to call it home.
Twin Peaks House
Twin Peaks House
Mihaly SlocombeMihaly Slocombe
Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.
Esplanade Home, retro pink bathroom
Esplanade Home, retro pink bathroom
Anatoly Patrick ArchitectureAnatoly Patrick Architecture
Bedroom renovation to a mid-century beachfront home. New wardrobe added with white panelled facade and timber catches. Pink and ochre decor to echo ensuite bathroom. Adjacent bathroom uses colour (pink terrazzo) texture (matchstick tiles), and natural materials (brass tapware) to create a contemporary but retro vibe in keeping with the beachfront home.

Bathroom with Terrazzo Flooring and Brown Worktops Ideas and Designs

4
Ireland
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