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Studio FabbriThis project opened up the kitchen space and connection to the garden by adding a side return. This created a larger kitchen/dining room and incorporated a utility space and separate ground floor WC into the scheme.
The White Kitchen CompanyLloyd and Nicola sought a kitchen that seamlessly blended with their Edwardian home's historical charm. Their style is classic and traditional, and their primary objective was to create a warm and functional space where they could entertain and socialise. Our in-frame shaker-style cabinets are at the heart of this beautiful kitchen, painted in Little Greene’s Portland Stone.
Conquest Fine Bespoke FurnitureTraditional meets contemporary. This farmhouse kitchen demonstrates how you can retain the character of a traditional setting in this 18th Century farmhouse whilst reflecting a contemporary style.
Muchmore DesignThe primary material used for the kitchen is iroko,
combined with plywood lined interior cabinetry. A four
metre long skylight installed above the island casts natural light across the beautiful oiled iroko wood. Reeded glass, popular in the 1960´s, was also fitted into the sliding pantry doors. The central island and units were installed on matte black plinths providing a floating appearance above the floor.
Sustainable KitchensThis concept kitchen was designed with an interior design firm, Nune, we complete the open plan kitchen, lounge, understairs and laundry room.
The cabinets feature a small rim around the edge as a bespoke feature.
Amos Goldreich ArchitectureAmos Goldreich Architecture has completed an asymmetric brick extension that celebrates light and modern life for a young family in North London. The new layout gives the family distinct kitchen, dining and relaxation zones, and views to the large rear garden from numerous angles within the home.
The owners wanted to update the property in a way that would maximise the available space and reconnect different areas while leaving them clearly defined. Rather than building the common, open box extension, Amos Goldreich Architecture created distinctly separate yet connected spaces both externally and internally using an asymmetric form united by pale white bricks.
Previously the rear plan of the house was divided into a kitchen, dining room and conservatory. The kitchen and dining room were very dark; the kitchen was incredibly narrow and the late 90’s UPVC conservatory was thermally inefficient. Bringing in natural light and creating views into the garden where the clients’ children often spend time playing were both important elements of the brief. Amos Goldreich Architecture designed a large X by X metre box window in the centre of the sitting room that offers views from both the sitting area and dining table, meaning the clients can keep an eye on the children while working or relaxing.
Amos Goldreich Architecture enlivened and lightened the home by working with materials that encourage the diffusion of light throughout the spaces. Exposed timber rafters create a clever shelving screen, functioning both as open storage and a permeable room divider to maintain the connection between the sitting area and kitchen. A deep blue kitchen with plywood handle detailing creates balance and contrast against the light tones of the pale timber and white walls.
The new extension is clad in white bricks which help to bounce light around the new interiors, emphasise the freshness and newness, and create a clear, distinct separation from the existing part of the late Victorian semi-detached London home. Brick continues to make an impact in the patio area where Amos Goldreich Architecture chose to use Stone Grey brick pavers for their muted tones and durability. A sedum roof spans the entire extension giving a beautiful view from the first floor bedrooms. The sedum roof also acts to encourage biodiversity and collect rainwater.
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Amos Goldreich, Director of Amos Goldreich Architecture says:
“The Framework House was a fantastic project to work on with our clients. We thought carefully about the space planning to ensure we met the brief for distinct zones, while also keeping a connection to the outdoors and others in the space.
“The materials of the project also had to marry with the new plan. We chose to keep the interiors fresh, calm, and clean so our clients could adapt their future interior design choices easily without the need to renovate the space again.”
Clients, Tom and Jennifer Allen say:
“I couldn’t have envisioned having a space like this. It has completely changed the way we live as a family for the better. We are more connected, yet also have our own spaces to work, eat, play, learn and relax.”
“The extension has had an impact on the entire house. When our son looks out of his window on the first floor, he sees a beautiful planted roof that merges with the garden.”
Vita Nova Interiors LtdBy keeping the cabinetry around the perimeter of the room in Dove Grey, gave the room a crisp, light feel to it but we wanted to add some depth and the contrast of the island is Charcoal gave us exactly that.
The space flows effortlessly from kitchen to garden, perfect for BBQ's in the summer evenings.
The positioning of the bar stools on the island works well not only for casual socialising but also just enjoying a coffee in this fabulous new space overlooking the garden.
NOTO ArchitectsFeaturing a handmade, hand-painted kitchen, with marble surfaces and warm metal tones throughout.
Simon Taylor FurnitureSimon Taylor Furniture was commissioned to undertake the full refurbishment of an existing kitchen space in a Victorian railway cottage in a small village, near Aylesbury. The clients were seeking a light, bright traditional Shaker kitchen that would include plenty of storage and seating for two people. In addition to removing the old kitchen, they also laid a new floor using 60 x60cm floor tiles in Lakestone Ivory Matt by Minoli, prior to installing the new kitchen.
All cabinetry was handmade at the Simon Taylor Furniture cabinet workshop in Bierton, near Aylesbury, and it was handpainted in Skimming Stone by Farrow & Ball. The Shaker design includes cot bead frames with Ovolo bead moulding on the inner edge of each door, with tongue and groove panelling in the peninsula recess and as end panels to add contrast. Above the tall cabinetry and overhead cupboards is the Simon Taylor Furniture classic cornice to the ceiling. All internal carcases and dovetail drawer boxes are made of oak, with open shelving in oak as an accent detail. The white window pelmets feature the same Ovolo design with LED lighting at the base, and were also handmade at the workshop. The worktops and upstands, featured throughout the kitchen, are made from 20mm thick quartz with a double pencil edge in Vicenza by CRL Stone.
The working kitchen area was designed in an L-shape with a wet run beneath the main feature window and the cooking run against an internal wall. The wet run includes base cabinets for bins and utility items in addition to a 60cm integrated dishwasher by Siemens with deep drawers to one side. At the centre is a farmhouse sink by Villeroy & Boch with a dual lever mixer tap by Perrin & Rowe.
The overhead cabinetry for the cooking run includes three storage cupboards and a housing for a 45cm built-in Microwave by Siemens. The base cabinetry beneath includes two sets of soft-opening cutlery and storage drawers on either side of a Britannia range cooker that the clients already owned. Above the glass splashback is a concealed canopy hood, also by Siemens.
Intersecting the 16sq. metre space is a stylish curved peninsula with a tongue and grooved recess beneath the worktop that has space for two counter stools, a feature that was integral to the initial brief. At the curved end of the peninsula is a double-door crockery cabinet and on the wall above it are open shelves in oak, inset with LED downlights, next to a tall white radiator by Zehnder.
To the left of the peninsula is an integrated French Door fridge freezer by Fisher & Paykel on either side of two tall shallow cabinets, which are installed into a former doorway to a utility room, which now has a new doorway next to it. The cabinetry door fronts feature a broken façade to add further detail to this Shaker kitchen. Directly opposite the fridge freezer, the corner space next to doors that lead to the formal dining room now has a tall pantry larder with oak internal shelving and spice racks inside the double doors. All cup handles and ball knobs are by Hafele.
Saffron Interiors LtdSaffron Interiors Project - Longmead Guildford.
Taransey smooth painted shaker in 'Sumburgh Midnight' with Carrara Extra white quartz worktops, splashback and shelving.
Chantel Elshout StudioContemporary kitchen with Gaggenau integrated appliances, Perla Venato Quartzite worktops and a Spekva Thermo Ash breakfast bar.
IRIV DESIGNOpen plan - Kitchen & Kitchen Island / Breakfast far with living room and feature TV wall. Ideas for small space optimisation.
Planet FurnitureA light, bright open plan kitchen with ample space to dine, cook and store everything that needs to be tucked away.
As always, our bespoke kitchens are designed and built to suit lifestyle and family needs and this one is no exception. Plenty of island seating and really importantly, lots of room to move around it. Large cabinets and deep drawers for convenient storage plus accessible shelving for cook books and a wine fridge perfectly positioned for the cook! Look closely and you’ll see that the larder is shallow in depth. This was deliberately (and cleverly!) designed to accommodate a large beam behind the back of the cabinet, yet still allows this run of cabinets to look balanced.
We’re loving the distinctive brass handles by Armac Martin against the Hardwicke White paint colour on the cabinetry - along with the Hand Silvered Antiqued mirror splashback there’s plenty of up-to-the-minute design details which ensure this classic shaker is contemporary yes classic in equal measure.
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