Kitchen with Ceramic Splashback and Coloured Appliances Ideas and Designs
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Emilie Fournet InteriorsThe open plan kitchen with a central moveable island is the perfect place to socialise. With a mix of wooden and zinc worktops, the shaker kitchen in grey tones sits comfortably next to exposed brick works of the chimney breast. The original features of the restored cornicing and floorboards work well with the Smeg fridge and the vintage French dresser.
Ali AttenboroughWe designed a modern classic scheme for Sarah's family that would be practical everyday but also offer a social mood for evening entertaining. We blended smart prussion blue cabinetry and walls for a smart and connected feel. To lift the scheme we included soft white, ivory, warm wood, rustic surfaces and distressed tile patterns. We incorporated their existing dining furniture into a sensible layout, but up-cycled the seat pads with free coffee sacks. Sarah's collection of vintage treasures were used to beautiful effect in a curated wall shelf display.
A custom built and locally sourced island created the hub that they had always wanted.
Kelly Ann PhotographyBeautiful kitchen remodel in a 1950's mis century modern home in Yellow Springs Ohio The Teal accent tile really sets off the bright orange range hood and stove.
Photo Credit, Kelly Settle Kelly Ann Photography
Bilotta Kitchen & HomeFor this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Churchwood DesignHand-made pippy oak kitchen with 'Pegasus' granite worktops. The freestanding island unit is painted in Farrow & Ball 'Green Smoke' with a distressed finish.
Andrew Williams DesignsCrisp white cabinetry frames the vintage green range
Kaskel Photo - Mike Kaskel
Olde Wood Ltd.For centuries, the American chestnut was prized for its strong, straight-grained wood that was easy to saw and split. Highly resistant to decay, chestnuts were used in a variety of applications, from furniture and split-rail fences to chestnut hardwood flooring and telephone poles. Sadly, during the early to mid-1900s, this once vital hardwood timber tree was virtually destroyed in the eastern United States by an Asian bark fungus.
One of the rarest of the reclaimed hardwoods, our wormy chestnut hardwood flooring – prominently marked with insect-bored wormholes – derives from roof rafters, floor joists and granary boards in old barns, houses and factories. Choosing this commercially extinct chestnut wide plank flooring for your home will add a touch of elegance and a priceless piece of the American past.
Distinctives of Reclaimed American Wormy Chestnut
Along with the distinguishing wormholes in this commercially extinct wood, American wormy chestnut features some original saw marks, nail holes, sound cracks and checking. These delicately dappled planks range in color from lustrous tan to dark chocolate with an open, tight grain texture.
Laurie Westberg, Urban Interior DesignTransitional open kitchen space with custom built in cabinets and storage -- blue island, taupe cabinets, wicker pendant lighting
Dan Davis DesignAn open Mid-Century Modern inspired kitchen with ceiling details and lots of natural light. White upper cabinets and grey lower cabinets keep the space light. An orange Stove and orange counter stools pop against the neutral background. The pendant lights feel like an art installation, and the ceiling design adds drama without feeling heavy.
Bilotta Kitchen & HomeFor this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Kitchen with Ceramic Splashback and Coloured Appliances Ideas and Designs
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